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WERKVERZEICHNIS (ARBEITEN MIT WERKNUMMERN) | LIST OF WORKS (WITH OPUS NUMBERS)

N. 1 (2010, rev. 2011-12) Tatsachen in zwei Sätzen: Für Violine solo | For violin alone [8-9’].

N. 2 (2010, rev. 2011-12) Entgleisungen: Für Flöte, Klarinette in B, Klavier, Perkussion, Violine und Violoncello | For flute, Bb clarinet, piano, percussion, violin and violoncello [10-11’].

N. 3 (2010, rev. 2011-12) Zu vier Händen – Interventionen für Konzertflügel: Für Klavier und Assistenz | For piano and assistance [10-11’].

N. 4 (2011) Ausführung über den Materialbegriff: Für Klarinette in B, Mezzosopran, Kontrabass und Elektronik | For Bb clarinet, mezzo-soprano, contrabass and electronics [~13’].

N. 5 (2011) Studien zur Notation elektroakustischer Musik | Studies on the notation of electroacoustic music: Für Festmedien | For fixed media [3’54’’].

N. 6 (2012) Klanggruppen: Für Violoncello und Elektronik | For violoncello and electronics [~9’].

N. 7 (2012) Filterspiel – Musik für Konferenzen | Filterspiel – Music for conferences: Für 4 Perkussionisten, 4 Dolmetscherkabinen, Dirigent und Elektronik | For 4 percussionists, 4 interpreter’s booths, conductor and electronics [~12’].

N. 8 (2012) Drei Lieder | Three songs: Für zwei Gitarristen und Elektronik | For two guitarists and electronics [~15’].

N. 9 (2013) Struktur: Für Ensemble | For ensemble [13-14’].

N. 10 (2013) Sýnthesis: Für ring- und amplitudenmodulierte Oszillatoren | For ring and amplitude modulated oscillators [~16’].

N. 11 (2013) Streichquartett I | String quartet I [~15’].

N. 12 (2014) Kinderstück [Meta-Physik] | Children’s piece [Meta-Physics]: Für Klavier | For piano [4’33’’].

N. 13 a) (2014) Tractatus I: Für 48-stimmigen Chor SATB und Elektronik | For SATB chorus of 48 voices and electronics [~11’].

N. 13 b) (2017) Tractatus II: Für Sprecher und Orchester | For speaker and orchestra [20/25’].

N. 14 (2014, rev. 2018) Utopia (omaggio a Luciano Berio): Für Flöte und Elektronik | For flute and electronics [~15’].

N. 15 (2015) Ossia (A➝ ¬B & B ➝ ¬A): Für Klarinette in B oder Violine, Violoncello und Klavier | For Bb clarinet or violin, violoncello and piano [~10’].

N. 16 (2015) Drei Miniaturen nach Nietzsche: Für Sopran, Klavier und Elektronik | For soprano, piano and electronics [5’].

N. 17 (2016) Zum Anbeginn neuer Zeiten (Klavierstücke I-IV): Für Klavier und FM-Instrumente | For piano and FM instruments [~15’].

N. 18 (2016) Utopia II: Für Harfe und Elektronik | For harp and electronics [≥10’].

N. 19 (2016) Utopia III: Für Frauenstimme | For female voice [5-8’].

N. 20 (2016) Streichquartett II „MikrosKopie“ | String quartet II “MicrosCopy” [≤10’].

N. 21 (2017) Warenwirtschaft: Für 2-3 Spieler, Informations- und Kommunikationstechnologie, Unterhaltungselektronik, Haushaltsgeräte, Haushaltsgegenstände, Mikrofone, Lautsprecher, Mundharmonikas und Tamtams | For 2-3 players, information and communication technology, consumer electronics, home appliances, household items, microphones, loudspeakers, harmonicas and tam-tams [22’ + ∞].

N. 22 (2017) 4 × 2 × 8 – Sakrale Interaktionen: Für Flöte, Oboe, Klarinette in B, Fagott, 4 sakrale Räume, 2 Mikrofone, 8 Lautsprecher und Elektronik | For flute, Bb clarinet, oboe, bassoon, 4 sacred rooms, 2 microphones, 8 loudspeakers and electronics [16’].

N. 23 (2018) Utopia IV: Für 1-3 Trompeten und 1-3 Sprecher | For 1-3 trumpets and 1-3 speakers [~9’].

N. 24 (2018) La naissance de la lumière à partir de l’esprit du feu: Für Perkussion, Aerophone und Elektronik auf Festmedien | For percussion, aerophones and electronics on fixed media [27’24”].

N. 25 (2018) Utopia V | Klavierstück V: Für präpariertes Klavier, Kontaktmikrofone, Lautsprecher und/oder (präpariertes) Klavier und Elektronik | For prepared piano, contact microphones, loudspeakers and/or (prepared) piano and electronics [6/12/18’].

N. 26 (2019) Sphären » Schweben: Für Streichorchester, Spiegel, Transducer, Scheinwerfer, Becken, Chladni Metallplatten, Industrie-Violine/-Viola, Werkzeug, Mikrofone und Elektronik | For string orchestra, mirrors, transducers, spotlights, cymbals, Chladni metal plates, industrial violin/viola, tools, microphones and electronics [~16 + ∞].

N. 27 (2019) Aus den Werkstätten des Lichts: Holografisches Lichtwerk für drei Spielerïnnen und Elektronik | Holographic light work for three players and electronics [10’ + ∞].

N. 28 (2019) Lichtquartett | Light quartet “Die Zusammensetzung der Welt”: Mikroskopisches Lichtwerk für vier Spielerïnnen und Elektronik | Microscopic light work for four players and electronics [≤11’ + ∞].

N. 29 (2020) Feux avant, la chorégraphie: Theatrales Lichtballett für Scheinwerfer, LED-Punktmatrix, Lichtvorhang, Laser und Nebelmaschinen | Theatrical light ballet for spotlights, LED dot matrix, light curtain, lasers and fog machines [28’00”].

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N. 13 b) (2017) Tractatus II N. 22 (2017) 4 × 2 × 8 – Sakrale Interaktionen
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